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Simon JamesMenuWwise 101 Certification CoursePost navigation

Simon JamesMenuWwise 101 Certification CoursePost navigation

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The Interactive Audio Renaissance: Bringing Sound Back to Life After a Century of Baking it on FilmMartin DufourMartin DufourCommentsLeave a ReplyMore articlesLife is Strange - Dynamic Music PositioningDrichtel: How I used spatialized audio for immersive art performancesMusic Design & “Project Hiraeth”: Why I Spent a Year Making a Score for a Game that Doesn’t ExistAuthoring for Audio Objects in WwiseSpectralMultiEffect by zerocrossingWwack-A-Mole | Creating a game inside of WwiseMore articlesLife is Strange - Dynamic Music PositioningDrichtel: How I used spatialized audio for immersive art performancesMusic Design & “Project Hiraeth”: Why I Spent a Year Making a Score for a Game that Doesn’t Exist

The Interactive Audio Renaissance: Bringing Sound Back to Life After a Century of Baking it on FilmMartin DufourMartin DufourCommentsLeave a ReplyMore articlesLife is Strange - Dynamic Music PositioningDrichtel: How I used spatialized audio for immersive art performancesMusic Design & “Project Hiraeth”: Why I Spent a Year Making a Score for a Game that Doesn’t ExistAuthoring for Audio Objects in WwiseSpectralMultiEffect by zerocrossingWwack-A-Mole | Creating a game inside of WwiseMore articlesLife is Strange - Dynamic Music PositioningDrichtel: How I used spatialized audio for immersive art performancesMusic Design & “Project Hiraeth”: Why I Spent a Year Making a Score for a Game that Doesn’t Exist

kkBeep            十条你得知道的 Wwise Launcher 用法(2019 版)

kkBeep 十条你得知道的 Wwise Launcher 用法(2019 版)

Authoring for Audio Objects in WwiseDamian KastbauerDamian KastbauerCommentsLeave a ReplyMore articlesCreating More Complex MIDI Controlled Sample Instruments Using WwiseImage Source Approach to Dynamic Early ReflectionsWwise 2017.2 is now live!Implementation Guide Series for the Wwise Unreal IntegrationNFL Kickoff 2020: League Debuts Crowd-Sound System Designed for Fanless StadiumsKID A MNESIA Exhibition: An Interview With the Audio TeamMore articlesCreating More Complex MIDI Controlled Sample Instruments Using WwiseImage Source Approach to Dynamic Early ReflectionsWwise 2017.2 is now live!

Authoring for Audio Objects in WwiseDamian KastbauerDamian KastbauerCommentsLeave a ReplyMore articlesCreating More Complex MIDI Controlled Sample Instruments Using WwiseImage Source Approach to Dynamic Early ReflectionsWwise 2017.2 is now live!Implementation Guide Series for the Wwise Unreal IntegrationNFL Kickoff 2020: League Debuts Crowd-Sound System Designed for Fanless StadiumsKID A MNESIA Exhibition: An Interview With the Audio TeamMore articlesCreating More Complex MIDI Controlled Sample Instruments Using WwiseImage Source Approach to Dynamic Early ReflectionsWwise 2017.2 is now live!

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Plug-insSense of Presence and ImmersionVersatilityPricing for gamesVersions & platforms

Plug-insSense of Presence and ImmersionVersatilityPricing for gamesVersions & platforms

WWISE Press ReleaseAccreditation/Memberships – Organisation:Accreditation/Memberships – WWISE Project Team:

WWISE Press ReleaseAccreditation/Memberships – Organisation:Accreditation/Memberships – WWISE Project Team:

A Wwise Approach to Spatial Audio - Part 1 - Distance Modeling and Early ReflectionsThe Case of Distance ModelingEarly ReflectionsLouis-Xavier BuffoniLouis-Xavier BuffoniCommentsLeave a ReplyMore articlesIntroduction To Audio In VR: Opportunities and ChallengesSound Design of Immortal Legacy: The Jade Cipher - Part 2Hitman 2: Enhancing Reverb on Modern CPUsIntegrating Spatial Audio in UnityA Wwise Approach to Spatial Audio - Part 2 - DiffractionImpacter and Unreal | Controlling the Impacter Plug-in Using Game PhysicsMore articlesIntroduction To Audio In VR: Opportunities and ChallengesSound Design of Immortal Legacy: The Jade Cipher - Part 2Hitman 2: Enhancing Reverb on Modern CPUs

A Wwise Approach to Spatial Audio - Part 1 - Distance Modeling and Early ReflectionsThe Case of Distance ModelingEarly ReflectionsLouis-Xavier BuffoniLouis-Xavier BuffoniCommentsLeave a ReplyMore articlesIntroduction To Audio In VR: Opportunities and ChallengesSound Design of Immortal Legacy: The Jade Cipher - Part 2Hitman 2: Enhancing Reverb on Modern CPUsIntegrating Spatial Audio in UnityA Wwise Approach to Spatial Audio - Part 2 - DiffractionImpacter and Unreal | Controlling the Impacter Plug-in Using Game PhysicsMore articlesIntroduction To Audio In VR: Opportunities and ChallengesSound Design of Immortal Legacy: The Jade Cipher - Part 2Hitman 2: Enhancing Reverb on Modern CPUs

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